A violinist born in Nantes to Iranian parents, Roxana grew up lulled by the murmurings of the Atlantic Ocean and Persian poetry. Trained at the Paris Conservatory (CNSM) under Jean-Marc Phillips-Varjabédian, it was in Nantes that she discovered jazz and traditional Irish music, developing a curiosity that would stay with her for life. Her encounter with Amandine Beyer in 2014 introduced her to early music and profoundly transformed her approach to the violin. She then decided to study the historical violin with Christophe Robert and quickly joined the international baroque music scene.

Eager to explore all the roles her instrument has to offer, she performs as a soloist and concertmaster—notably with Le Concert de la Loge and Il Caravaggio—as well as serving as section leader of the second violins with Les Arts Florissants, Cappella Mediterranea, and Le Consort, and collaborates with ensembles such as Jupiter, Pygmalion, Le Poème Harmonique, and Les Ombres.

Always in search of new musical languages, Roxana also joined the Aria project led by trombonist and composer Robinson Khoury, with whom she performed at the Coutances Festival and the Saint-Germain Festival, among others. At the same time, she continued her exploration of Irish music during her travels around the island, nurturing the dialogue between tradition, improvisation, and early music that has been a constant thread throughout her career.

Born in France, Yaoré Talibart discovered the violin at the age of four. Her early experimentation with the instrument grew alongside her development as a violinist, allowing her to explore a vast repertoire within various chamber ensembles. She graduated with a Master’s degree from the Conservatoire de Paris, where she studied with Philippe Graffin, before continuing her studies with Rainer Schmidt at the Hochschule in Basel. In 2021, she moved to London to deepen her knowledge of early music, specializing in baroque violin and historical performance at the Royal Academy of Music with Pavlo Beznosiuk and Rachel Podger. During this time, she also developed a passion for Scottish and Irish traditional music, joining the folk-inspired group Nobody’s Jig.

A versatile violinist, equally at home in baroque and modern repertoire, Yaoré collaborates with ensembles such as Le Concert Spirituel, Les Ombres, Le Poème Harmonique, the Finnish Baroque Orchestra, Barokksolistene, and Le Consort, with whom she recorded three albums. In 2022, she was selected for the Orchestra of the Age of Enlightenment Experience Scheme and joined the UK-based ensemble Arcangelo as a New Ensemblist, contributing to several recordings. She regularly performs as a soloist and chamber musician, notably with Les Nouveaux Caractères, and has appeared as a soloist in the UK, including a debut at Wigmore Hall alongside Lawrence Power as part of his Collegium project. Since 2017, she has also been the concertmaster of Orchestre Appassionato, performing both in orchestral and solo settings.

With her dual French and Hong Kong heritage, Yaoré grew up intimately aware of the concept of the duality of self, expressed through language, sound, and non-verbal communication. This naturally led her to a life centered on chamber music, which remains the most vital of all musical means of expression for her—a space for dialogue and exchange where sound becomes a language beyond words. She plays on a Nicola Amati baroque violin from 1662 and a Martin Haupt modern violin made in 2017, both generously loaned by the Boubo-Music Foundation.

Suzanne began her musical studies simultaneously playing harpsichord and cello until she was 15. She then devoted herself fully to the cello, deepening her practice at the CRR in Paris before joining the Royal Academy of Music in London a few years later.

In 2020, Suzanne returned to France and decided to specialize in practices using period instruments. She participates in various academies aimed at professional integration, in particular at the Abbaye aux Dames de Saintes under the direction of Philippe Herreweghe, Amandine Beyer, Julien Chauvin and Christophe Coin, in Royaumont with Louis Noël Bestion de Camboulas and Véronique Gens, in Royaumont with Louis Noël Bestion de Camboulas and Véronique Gens, as well as with ensembles such as the Concert Spirituel, Les Ombres and Le Caravanserail. At the same time, she began collaborating with prestigious ensembles such as Les Arts Florissant, Le Consort, Les Époées, Il Caravaggio, and the Orchestra of the Royal Opera of Versailles.

Suzanne thrives in the rich universe of period instruments, finding inspiration in the exploration of authentic sounds and historical interpretation. She is as involved in chamber music as in orchestral formations, contributing to a lively and renewed approach to the Baroque and classical repertoire.

Trained by Aline Zylberajch at the Strasbourg Conservatory and by Francesco Corti at the Schola Cantorum in Basel, Louise developed her technique and her musical sensitivity, specializing in the harpsichord. At only 26 years old, she won several international awards, including the Bach-Wettbewerb in Leipzig, La Capella Musicale in Milan, and the Corneille Competition in Rouen, which she won in 2018.

Louise is regularly invited as a soloist to prestigious festivals, such as the Jean Rondeau Bel-Air Claviers festival, the Oude Muziek festival in Utrecht, the Entracte à Sablé, or even Cembalo in der Stadt Basel. Also recognized for her talent in the continuo, she collaborates with renowned ensembles such as Le Concert de la Loge, Jupiter, Pygmalion, and Masques. His artistic commitment and his instrumental mastery earned him the support of the Royaumont Foundation, the Young Talents Association, the Boubo-Music Foundation, as well as the Walter & Corina Christen-Marchal Foundation.

Louise is interested in exploring the historical and ergonomic dimensions of performance, as evidenced by her award-winning dissertation on harpsichord posture. His playing combines virtuosity and depth, inspired by a rich and varied repertoire. A solo record, testifying to his artistic vision, will be released in August 2025 by Alpha Classics.